The baroque equestrian statue represented the power of the absolutist ruler, based on a pictorial tradition dating back to antiquity. After the French Revolution, this pictorial formula became obsolete. But then the equestrian portraits underwent a reinterpretation in the bourgeois age. What did equestrian portraits of men and women stand for, particularly in the post-revolutionary period and during the restorative phase of Napoleonic rule? Renate Prochno-Schinkel explores the changing meanings. The cultural history of horses plays an important role in these iconographies of power. And many a political portrait has replaced the attribute of the horse with the car since the 20th century. Sculpted and painted representations, primarily in Europe and the USA, are examined.
Titel
Dramaturgien von Bild und Raum
Untertitel
Festschrift für Hans Aurenhammer
Autor
EAN
9783496030867
Format
E-Book (pdf)
Hersteller
Veröffentlichung
09.01.2024
Digitaler Kopierschutz
Wasserzeichen
Dateigrösse
33.59 MB
Anzahl Seiten
216
Auflage
2024
Lesemotiv
Unerwartete Verzögerung
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