In this work, Susanne Wegmann traces the path of Lutheran picture discourse from spoiled and controversial medium to its relocation in the Lutheran context.
During the confessional age, pictures became established as an identity forming feature in the Lutheran church. They not only conspicuously separated Lutheran from reformed churches, but also defined the community of believers and placed a visual sermon in their midst. Susanne Wegmann traces the path of Lutheran picture discourse from spoiled and controversial medium to its relocation in the Lutheran context. The pictures themselves are the author's logical source for reflecting on their traditional use in late medieval times. The positions occupied by artists, benefactors and commissioners are determined through portraits, signatures and inscriptions in and on the pictorial Lutheran faith works.
Autorentext
Geboren 1969; Studium der Kunstgeschichte, Klass. Archäologie und Religionswissenschaften; 2001 Promotion; 2013 Habilitation; 2013-14 Vertretung der Professur für Kunstgeschichte Osteuropas am Kunsthistorischen Institut der Universität Leipzig; seit 2015 Akademische Mitarbeiterin am Kunstgeschichtlichen Institut der Albert-Ludwigs-Universität Freiburg/Br.
During the confessional age, pictures became established as an identity forming feature in the Lutheran church. They not only conspicuously separated Lutheran from reformed churches, but also defined the community of believers and placed a visual sermon in their midst. Susanne Wegmann traces the path of Lutheran picture discourse from spoiled and controversial medium to its relocation in the Lutheran context. The pictures themselves are the author's logical source for reflecting on their traditional use in late medieval times. The positions occupied by artists, benefactors and commissioners are determined through portraits, signatures and inscriptions in and on the pictorial Lutheran faith works.
Autorentext
Geboren 1969; Studium der Kunstgeschichte, Klass. Archäologie und Religionswissenschaften; 2001 Promotion; 2013 Habilitation; 2013-14 Vertretung der Professur für Kunstgeschichte Osteuropas am Kunsthistorischen Institut der Universität Leipzig; seit 2015 Akademische Mitarbeiterin am Kunstgeschichtlichen Institut der Albert-Ludwigs-Universität Freiburg/Br.
Titel
Der sichtbare Glaube
Untertitel
Das Bild in den lutherischen Kirchen des 16. Jahrhunderts
Autor
EAN
9783161586316
Format
E-Book (pdf)
Hersteller
Genre
Veröffentlichung
01.08.2020
Digitaler Kopierschutz
Adobe-DRM
Lesemotiv
Unerwartete Verzögerung
Ups, ein Fehler ist aufgetreten. Bitte versuchen Sie es später noch einmal.