In a city where time moves like honey, five strangers live parallel lives bound by a single thread: waiting.
**Yusuf** checks his mailbox every day for a letter from the ministry that will determine his future. The letter does not come. He keeps checking.
**Layla** returns to the same train platform where her lover left seven years ago. She knows he will not return. She goes anyway.
**Abu Salim** closed his shop after his wife died. He wakes at dawn because his body remembers. He has nowhere to be.
**Samira** lies in a hospital bed, watching light move across the wall. She is waiting for the only thing left to wait for.
**Mariam** is fourteen years old, shuttling between divorced parents. She carries her life in a backpack. She is waiting to belong somewhere.
"Waiting" is not a novel about what happens. It is a novel about what doesn't happen, and how we survive it.
Written with the quiet precision of a clock that is three minutes fast, this book explores grief without melodrama, hope without delusion, and the strange comfort of remaining exactly where you are while the world moves on without you.
For readers of Joan Didion, Marilynne Robinson, and Haruki Murakami. For anyone who has ever stood at a window watching nothing happen. For those who understood that waiting is not emptiness-it is the shape of everything we cannot say.
Autorentext
I was born in 1969. Or rather, the world claims I was. But I remember it differently.
I remember waking up somewhere in the middle of a sentence that no one had started. The room smelled of old ink and confusion. Someone handed me a pen and said, "You'll need this. Nobody will listen otherwise."
So I wrote.
I wrote about things that made people uncomfortable at dinner parties. About truths that wore disguises because the naked ones got arrested. I noticed that laughter and horror often shared the same face only the lighting differed.
My writing leans dark. Not the romantic kind of dark with candles and poetry. The real kind. The 3 AM kind where you're watching the ceiling and wondering if the fly trapped in the room has figured out what you haven't yet.
People ask me: "Dr. Adam, why black humor?"
And I tell them: because white humor requires optimism, and optimism requires a short memory. I have neither. What I have is a notebook, a suspicious amount of coffee, and the firm belief that if you can't find the exit, you might as well describe the walls.