Finally, a brilliant exploration of the German rock band Can's 1971 album Tago Mago. This hugely unique and influential album deserves close analysis from a fan, rather than a musicologist. Novelist Alan Warner details the concrete music we hear on the album, how it was composed, executed and recorded--including the history of the album in terms of its release, promotion and art work. This tale of Tago Mago is also the tale of a young man obsessed with record collecting in the dark and mysterious period of pop music before Google. Warner includes a backtracking of the history of the band up to that point and also some description of Can's unique recording approach taking into account their home studio set up.
Interviews with the two surviving members: drummer Jaki Liebezeit, keyboardist Irmin Schmidt and bassist Holger Czukay make this a hilariously personal and illuminating picture of Can.
Autorentext
Alan Warner is a Scottish novelist. His 1995 novel Morvern Callar won the Somerset Maugham Award and was made into a feature film directed by Lynne Ramsay. In 2013, he was awarded the James Tait Black Memorial Prize for his novel The Deadman's Pedal.
Inhalt
PART ONE
HALLELUWAH
AN ANATOMY OF LISTENING
CAN WITHOUT THE MUSIC
'LIKE CAN'S DRUMMER...'
THE TERRIFYING SEX PISTOLS
MR IAN DURY & THE BLOCKHEADS
SWEARING
A 'RECORD COLLECTION'
VAN HALEN & BAGPIPES
PART TWO
A SPANNER IN THE SKY
MADE IN A CASTLE WITH BETTER EQUIPMENT
TAGO MAGO
CAN WORLD
NOT A DREAM
THE EDITS
A SINGLE SONG WHICH NEVER ENDS
NOSTALGIA DANGER
THE MYSTERY OF LA ISLA DE TAGOMAGO