The collection, interpretation and display of art from the People's Republic of China, and particularly the art of the Cultural Revolution, have been problematic for museums. These objects challenge our perception of 'Chineseness' and their style, content and the means of their production question accepted notions of how we perceive art. This book links art history, museology and visual culture studies to examine how museums have attempted to reveal, discuss and resolve some of these issues. This book will be of interest to scholars and students in museology, visual and cultural studies as well as scholars of Chinese and revolutionary art.

Amy Jane Barnes is a Research Associate in the School of Management at the University of Leicester, UK and Honorary Visiting Fellow in the School of Museum Studies at the University of Leicester, UK.

Chapter 1 Introduction; Chapter 2 Imagining China: The Birth and Consolidation of British Visions of China; Chapter 3 East-West Cultural Revolutions, 1966-1969; Chapter 4 East-West Rapprochement, 1970-1976; Chapter 5 Peasant Paintings from Hu County; Chapter 6 Revision and Reform: Retrospective Appraisals of the Cultural Revolution; Chapter 7 After Tiananmen; Chapter 8 Human Rights and Bragging Rights: Images of China from the Turn of the Millennium to the Beijing Games; Chapter 9 Exhibiting the Cultural Revolution; Chapter 10 Conclusion; Epilogue;