In Postmodernity, Ethics and the Novel Andrew Gibson sets out to demonstrate that postmodern theory has actually made possible an ethical discourse around fiction.
Each chapter elaborates and discusses a particular aspect of Levinas' thought and raises questions for that thought and its bearing on the novel. It also contains detailed analyses of particular texts. Part of the book's originality is its concentration on a range of modernist and postmodern novels which have seldom if ever served as the basis for a larger ethical theory of fiction.
Postmodernity, Ethics and the Novel discusses among others the writings of Joseph Conrad, Henry James, Jane Austen, Samuel Beckett, Marcel Proust and Salman Rushdie.

Andrew Gibson is Dircetor of the MA in Postmodernism, Literature and Culture at Royal Holloway, University of London.

Introduction PART I Dissolutions 1 Narrative and alterity 2 Ethics and unrepresentability 3 Ethics and 'the dissolution of the novel' PART II Events 4 Proustian ethics 5 Ethics of the event: Beckett PART III Responses 6 Sensibility 7 Reception and receptivity