Autorentext
The Journal of Beijing Film Academy was first published in 1984. It is edited by the staff of the Department of Film Studies at the Beijing Film Academy and is highly respected for showcasing the foremost research in Chinese cinema and film education.
Inhalt
Notes on Translation
Preface
Chapter 1: Discussion Panel on the Survival of Film Festivals and Arthouse Cinema Exhibitions in China
Wu Guanping, Zhang Xianmin, Sha Dan and Yang Cheng
Chapter 2: A Series of Essays on the Historical Experience of Chinese Film Criticism and Its Ongoing Challenges
Dai Jinhua, Wang Yichuan, Rao Shuguang, Zhang Yiwu, Zhang Wei, Chen Xuguang and Chen Xiaoyun
Chapter 3: The Ambitious Position of Subjectivity in Mr Six
Zhang Huiyu
Chapter 4: Political Pedagogy, Entertainment and Religious Doctrine: The Triple Identity of Cinema in Republican Era China
Lui Dishan
Chapter 5: The Awkward Spectator and Dormant Subjectivity: The Reconfiguration and Reconceptualisation of Subjectivity in Film Spectatorship According to the 'Bullet Curtain' Phenomenon
Zhao Yue
Chapter 6: The Generic Discourse of Taiwanese Social Realist Crime Films (1979-83): An On-Screen Reflection of Taiwan in the 1970s
Li Ying
Chapter 7: The 'Suffering Narrative' and New Crude Stage Play
He Liang
Chapter 8: Revisit and Re-review: Producing Yan Ruisheng and Rethinking Its Significance in Chinese Film History
Zhang JuanJuan
Notes on Contributors
Journal of BFA Advisory and Editorial Board
Notes on Intellect China Library Series