Percy Bysshe Shelley joined the deluge of sightseers that poured onto the Continent after Napoleon's defeat in 1814, and over the next eight years Shelley followed major travelling trends, visiting Switzerland in 1816 and Italy from 1818. Shelley's Eye is the first study to address Shelley's participation in the travel culture of post-Napoleonic Europe, and the first to consider Shelley as an important travel writer in his own right. Informed by original research on a wide range of period travel writings, Shelley's Eye demonstrates how the Grand Tour remains a vital cultural metaphor for Shelley and his contemporaries, under pressure from mass travel and popular culture. His travel prose and 'visionary' poetry explore motives of perception underlying travel discourse and posit an authentic 'aesthetic vision' that reconfigures social, historical, and political meanings of 'sights' from the perspective of an ideal tourist-observer.

Benjamin Colbert is Senior Lecturer in English at the University of Wolverhampton, UK.

Contents: Introduction; 'The sun rises over France': post-Napoleonic travellers' Europe; 'Citizens of the world': dislocated vision in Alastor; 'The raptures of travellers': writing Mont Blanc; 'Relics of antiquity': Shelley's classical tour through Italy; 'The emblem of Italy': two-fold vision in Prometheus Unbound; 'Empire o'er the unborn world': Shelley's Hellas; Bibliography; Index.