Weaving together narrative essay and bilingual poetry, Claudia D. Hernández's lyrical debut follows her tumultuous adolescence as she crisscrosses the American continent: a book "both timely and aesthetically exciting in its hybridity" (The Millions).

Seven-year-old Claudia wakes up one day to find her mother gone, having left for the United States to flee domestic abuse and pursue economic prosperity. Claudia and her two older sisters are taken in by their great aunt and their grandmother, their father no longer in the picture. Three years later, her mother returns for her daughters, and the family begins the month-long journey to El Norte. But in Los Angeles, Claudia has trouble assimilating: she doesn't speak English, and her Spanish sticks out as "weird" in their primarily Mexican neighborhood. When her family returns to Guatemala years later, she is startled to find she no longer belongs there either.

A harrowing story told with the candid innocence of childhood, Hernández's memoir depicts a complex self-portrait of the struggle and resilience inherent to immigration today.

Claudia D. Hernández is a poet, editor, translator, and bilingual educator, born and raised in Guatemala. She holds an MFA in creative writing from Antioch University Los Angeles, and writes in Spanish and English, and sometimes weaves in Poqomchi', an indigenous language of her Mayan heritage. Hernández is the editor of the anthology Women, Mujeres, Ixoq: Revolutionary Visions (Conocimientos Press 2017), and the founder of the ongoing photography project Today's Revolutionary Women of Color. She currently resides in Los Angeles.

Weaving together narrative essay and bilingual poetry, Knitting the Fog is the complex self-portrait of a young Chapina girl who wakes up to find her mother gone. When her mother returns three years later, they begin a month-long journey to El Norte. Once settled in California, Claudia has trouble assimilating-she doesn't speak English, and her Spanish is "weird"-but when back in Guatemala, she is startled to find she no longer belongs there either.

A harrowing story told with the candid innocence of childhood, Hernández's memoir depicts the struggle and resilience inherent to immigration today.