Through an analysis of a wide range of commercial and amateur recordings, this book describes how and why poetry was recorded in the U.S., from the 1930's through the mid-century performances of poets such as Dylan Thomas and Anne Sexton.
Autorentext
DEREK FURR is a Faculty Member in the Literature Department at the Master of Arts in Teaching Program at Bard College, USA.
Inhalt
Introduction: Listening to Recorded Poetry PART I: IN THE STUDIO, ON THE STAGE Making Poetry Records, Remaking Poetic Voices: Caedmon and the Library of Congress Poets and Critics Live at the Forum: The Occasional Recording and Elizabeth Bishop PART II: IN FIRST PERSON, IN ANOTHER'S VOICE Authenticity and Audience: Millay, Sexton, and Vocal Connections Impersonations: Poets, Preachers, Teachers, and the Remaking of God's Trombones Afterword: Out of the Audio Archive Appendix A: Learning to Listen: Poetry Recordings in the Classroom Appendix B: Selected List of Modernist Audio Archives
Titel
Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell
Autor
EAN
9780230109919
ISBN
978-0-230-10991-9
Format
E-Book (pdf)
Hersteller
Herausgeber
Veröffentlichung
19.07.2010
Digitaler Kopierschutz
Wasserzeichen
Dateigrösse
1.27 MB
Anzahl Seiten
198
Jahr
2010
Untertitel
Englisch
Unerwartete Verzögerung
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