This book proposes a model that aims to capture what happens between analyst and patient when a therapeutic relationship is effective. It outlines a series of insights that have led to the emergence of the subject in question, via analysis of the image of the labyrinth from historical point of view.
Autorentext
Tricarico, Giorgio
Zusammenfassung
What exactly happens between the patient and the analyst when therapy is effective? Profoundly unsatisfied by the orthodox but vague explanation that "the therapeutic factor is the relationship", the author Giorgio Tricarico explores a hypothesis that is able to comprehend many different methods of both therapy and analysis. Starting from his own clinical experience, Tricarico runs into the image of the classical labyrinth (Daidalon) and a deeper analysis of what this symbol implies, revealing it as a symbol of "Possibility". The worldwide presence in different cultures and ages of the labyrinth as such a symbol may indeed point to the existence of an element beyond it, whose activation in the relationship between patient and analyst could be a fundamental factor for psychic change. Different methods of cure, seen through the lenses of the hypothesis expressed, may share a common factor of transformation. With the help of clinical cases, the concept of "impossibility" in analysis is also explored. Situations in which every change seems to be impossible compel us to widen our concept of possibility and to return to its original meaning, far away from the omnipotent one the Western world blindly keeps repeating.
Inhalt
Foreword -- Preface to the Italian Edition -- Preface to the English Edition -- Main Theme -- Tuning-questions -- First tunes-the labyrinth between archaeology, etymology, and symbology -- Main theme-Possibility -- Chorus -- Main verses-Possibility, right to existence, and ego complex -- Chorus-possible comparisons -- Middle-Eight -- Theory and ethics -- Development and Closing Chords -- Developing the theme-Possibility, Impossibility, and individuation -- Closing chords-Possibility and Limit -- Conclusion: Suspended cadence