Are women able to achieve anything they set their minds to? In How to Suppress Women's Writing, award-winning novelist and scholar Joanna Russ lays bare the subtle-and not so subtle-strategies that society uses to ignore, condemn, or belittle women who produce literature. As relevant today as when it was first published in 1983, this book has motivated generations of readers with its powerful feminist critique."What is it going to take to break apart these rigidities? Russ's book is a formidable attempt. It is angry without being self-righteous, it is thorough without being exhausting, and it is serious without being devoid of a sense of humor. But it was published over thirty years ago, in 1983, and there's not an enormous difference between the world she describes and the world we inhabit."-Jessa Crispin, from the foreword"A book of the most profound and original clarity. Like all clear-sighted people who look and see what has been much mystified and much lied about, Russ is quite excitingly subversive. The study of literature should never be the same again."-Marge Piercy"Joanna Russ is a brilliant writer, a writer of real moral passion and high wit."-Adrienne Rich

Joanna Russ (1937-2011) was a radical feminist writer and academic who became one of the seminal figures of science fiction during the 1960s and '70s, when women began to make major inroads into what had long been a bastion of male authorship. Her best-known novel, The Female Man, is a powerful mix of humor and anger told from the alternating points of view of four women-genetically identical, but coming from different worlds and vastly different societies. Russ wrote five other novels-including the children's book Kittatinny-and is renowned for her literary criticism and essays. Her short stories appeared in leading science fiction and fantasy magazines and have been widely anthologized as well as collected into four volumes. She received the Nebula Award for her short story "When It Changed" and a Hugo Award for the novella "Souls." Russ received a master of fine arts degree from the Yale School of Drama and was a 1974 National Endowment for the Humanities fellow. She was a lecturer at Cornell and other universities and a professor of English at the University of Washington, where she taught from 1984 to 1994. Her scholarly work includes How to Suppress Women's Writing and To Write Like a Woman, among others. Her papers are collected at the University of Oregon.