The Process That Is the World grapples with John Cage not just as a composer, but as a philosopher advocating for an ontology of difference in keeping with the kind posited by Gilles Deleuze. Cage's philosophy is not simply a novel method for composition, but an extensive argument about the nature of reality itself, the construction of subjects within that reality, and the manner in which subjectivity and a self-creative world exist in productive tension with one another. Over the course of the study, these themes are developed in the realms of the ontology of a musical work, performance practices, ethics, and eventually a study of Cagean politics and the connection between aesthetic experience and the generation of new forms of collective becoming-together. The vision of Cage that emerges through this study is not simply that of the maverick composer or the "inventor of genius," but of a thinker and artist responding to insights about the world-as-process as it extends through the philosophical, artistic, and ethical registers: the world as potential for variance, reinvention, and permanent revolution.
Autorentext
Joe Panzner is a lecturer in Music History at the Ohio State University and Capital University, USA.
Inhalt
Acknowledgements
Chapter One: "The Process That Is The World" (Introduction)
Chapter Two: "It Is Not, It Becomes" (Works)
Chapter Three: "A Mistake Is Beside the Point" (Ethics)
Chapter Four: "Happy New Ears!" (Encounters)
Chapter Five: "Through Many a Perilous Situation" (Performances)
Chapter Six: "To Inhabit the World" (Politics)
Bibliography
Index