Racial Rhapsody: The Aesthetics of Contemporary U.S. Identity aims to explain and to interrogate the disciplinary history according to which literary criticism has come to organize its attention to literary texts around this primary object of analysis, the "racial" body.
Autorentext
John Donald Kerkering is an Associate Professor of English at Loyola University Chicago.
Klappentext
Racial Rhapsody: The Aesthetics of Contemporary U.S. Identity aims to explain and to interrogate the disciplinary history according to which literary criticism has come to organize its attention to literary texts around this primary object of analysis, the "racial" body.
Inhalt
List of Figures
Acknowledgements
Introduction
PART I
New-Critical Subjects: From Prosody to Identity
1 Prosodists and Postpositivists
2 Prosodists and Racialists
3 Ontology and Objectivity
4 Race and Realism
5 Resistance and Submission
PART II
"You're One of Them, Ion": Aesthetic Rhapsody and Racial Identity
6 Aesthetics and Perception
7 Race and Peoplehood
8 Archaeology and Rhapsody
9 Race and Rhapsody
10 Analysis and Aesthetics
11 Aesthetics and Identity
12 Colors and Lines
Conclusion
Index