An innovative introduction to writing poetry designed for students
of creative writing and budding poets alike.
* Challenges the reader's sense of what is possible in a
poem.
* Traces the history and highlights the potential of
poetry.
* Focuses on the fundamental principles of poetic construction,
such as: Who is speaking? Who are they speaking to? Why does their
speaking take this form?
* Considers both experimental and mainstream approaches to
contemporary poetry.
* Consists of fourteen chapters, making it suitable for use over
one semester.
* Encourages readers to experiment with their poetry.
Autorentext
John Redmond is the author of one collection of poems, Thumb's Width (2001), which was longlisted for the Guardian First Book Award, and he features as one of 'The New Irish Poets' in a Bloodaxe anthology of that name. He was previously Assistant Editor of the long-running poetry magazine Thumbscrew, and writes reviews on a regular basis for the London Review of Books, the Times Literary Supplement, the Guardian and Poetry Review. He is Lecturer in Creative Writing at the University of Liverpool and, previously, was Visiting Assistant Professor at Macalester College in St Paul, Minnesota.
Klappentext
Through a series of chapters designed as useful provocations, Redmond steers readers away from the 'default contemporary poem', urging fresh ways of thinking, insisting on 'the promise and opportunity of the blank page'. Traditional chapter topics like the sestina and the sonnet are abandoned in favour of more inspiring themes like variety, scale and background.
The book drwas on a wide array of examples, from sixth-century Ireland to contemporary Poland, and diverse cultural analogies from baseball to film. Rather than thinking of poems and having meanings, the book suggest that we should think of them of being like plays, or computer games, as experiences designed for the reader's benefit.
Zusammenfassung
An innovative introduction to writing poetry designed for students of creative writing and budding poets alike.
- Challenges the reader's sense of what is possible in a poem.
- Traces the history and highlights the potential of poetry.
- Focuses on the fundamental principles of poetic construction, such as: Who is speaking? Who are they speaking to? Why does their speaking take this form?
- Considers both experimental and mainstream approaches to contemporary poetry.
- Consists of fourteen chapters, making it suitable for use over one semester.
- Encourages readers to experiment with their poetry.
Inhalt
Acknowledgements.
Introduction.
1. The Question of Address.
2. Viewpoint.
3. The Question of Voices.
4. The Question of Scale.
5. Uses of Repetition.
6. Image.
7. Short Lines.
8. Long Lines.
9. Diction.
10. Uses of Syntax.
11. Tone.
12. Traditional Forms: Ode.
13. Traditional Forms: Epistle.
14. The Question of Background.
15. Conclusion: The Question of Variety.
Index