Modern Painters (Vol. 1-5) is Ruskin's great Victorian treatise on landscape, fusing lyrical cadence with minute observation. Over seventeen years he vindicates Turner and the principle of "truth to nature," opposing academic formulae with analyses of clouds, rocks, foliage, and light informed by geology and travel. He coins the "pathetic fallacy," frames a moral theology of seeing, and links Giotto to the Pre-Raphaelites. Born to a cultivated wine-merchant father and exposed early to Turner's work, Ruskin joined evangelical rigor, Oxford study, and Alpine sketchbooks. Travels through Switzerland and Italy taught him to measure mountains and skies before reputations; the first volume (1843) began as a defense of Turner against hostile critics. Later volumes deepen his synthesis of science, theology, and connoisseurship. This is indispensable for artists, historians, and attentive readers. Approach it for lessons in looking: how perception bears ethical weight and how description can rise to judgment. Read patiently, pencil in hand; Modern Painters still recalibrates the eye and conscience, providing a durable standard for criticism and a companion to the practice of seeing nature and art anew. Quickie Classics summarizes timeless works with precision, preserving the author's voice and keeping the prose clear, fast, and readable-distilled, never diluted. Enriched Edition extras: Introduction · Synopsis · Historical Context · Author Biography · Brief Analysis · 4 Reflection Q&As · Editorial Footnotes.

John Ruskin (1819-1900) was the leading English art critic of the Victorian era, as well as an art patron, draughtsman, watercolorist, philosopher, prominent social thinker and philanthropist. He wrote on subjects as varied as geology, architecture, myth, ornithology, literature, education, botany and political economy.