How does a Middle Eastern community create a modern image through its expression of heritage and authenticity? In Among the Jasmine Trees: Music and Modernity in Contemporary Syria, Jonathan H. Shannon investigates expressions of authenticity in Syria's musical culture, which is particularly known for embracing and preserving the Arab musical tradition, and which has seldom been researched in depth by Western scholars. Music plays a key role in the process of self-imaging by virtue of its ability to convey feeling and emotion, and Shannon explores a variety of performance genres, Sufi rituals, song lyrics, melodic modes, and aesthetic criteria. Shannon shows that although the music may evoke the old, the traditional, and the local, these are re-envisioned as signifiers of the modern national profile. A valuable contribution to the study of music and identity and to the ethnomusicology of the modern Middle East, Among the Jasmine Trees details this music and its reception for the first time, offering an original theoretical framework for understanding contemporary Arab culture, music, and society.

JONATHAN HOLT SHANNON is an assistant professor in the department of anthropology at Hunter College of the City University of New York.

List of Figures
A Note on Transliteration
Preface
Introduction: The Aesthetics of Authenticity in Contemporary Syria
Among the Jasmine Trees
Sentiment and Authentic Spirit: Composing Syrian Modernity
Constructing Musical Authenticity: History, Cultural Memory, Emotion
Body Memory, Temporality, and Transformation in the Dhikr
Authentic Performance and the Performance of Authenticity
Tarab, Sentiment, and Authenticity
Notes Toward Closure
Epilogue: 2000
Notes
Glossary of Selected Arabic Terms
Selected Bibliography and Discography
Index