Imagine a little farmhouse on the wild high cliffs above Apollo Bay, suddenly brought to life by the arrival of a batch of city kids who never before had the chance of a permanent home. No way are they willing to lose this one, just so long as they don't starve. In their first week, strange and mysterious forces line up against them, for the house has stood deserted for over a year waiting for Gemma to claim it. Maybe the house had also waited for the summer heat of January, which brought their interesting new friend the Guitar Poet to join the party.

Pauli and Pete and Ben and Cissy find other real friends in big Tony Busoni and the Blunt family from the dairy farm next door. All together, they solve the mystery of the packet that Ben saw fall from a helicopter near the plum tree lookout - the same place where Pete saw a sight nobody but Cissy believed possible…

Kathryn Purnell was born in Vancouver, Canada in 1911. She travelled by sea to Australia with her family as a young woman. During the voyage she met and later married Australian scientist William (Bill) Purnell. Kathryn embodied the soul and spirit of a creative writer. She maintained an intense interest in everything around her, the natural and spiritual worlds, the everyday and the eternal, diverse countries and their cultures, as well as the human condition (of which she had an uncanny understanding). A gifted educator, she was an inspiration to many aspiring writers to whom she taught creative writing. She believed intensely in the need to encourage women writers, the constraints on whom she felt herself at a very personal level. Bill Purnell's work in the early years of UNESCO as head of its Science Cooperation Division took Kathryn to Paris to live in the immediate post war years, then to Cairo and later Jakarta. She travelled widely in Europe and later spent time in South Africa. Her husband's ill health compelled the family to return permanently to Australia in the late nineteen fifties, It was particularly in this period of her life, with the common pressures of maintaining a family, supporting a husband in his professional life and finding time to create, that she felt most strongly the constraints and limitations placed on the female creative spirit by the societal practices and beliefs of the time. But create she did, both poetry and prose work. She also spent much of her time teaching aspiring writers, mostly women. Active in the Society of Women Writers, in 1998 she won The Alice Award, a biennial award for long-term and distinguished contribution to literature by an Australian woman. Other awards included the State of Victoria Short Story Award and the Moomba Short Story Prize both in 1966/67 and The Society of Women Writers Poetry Prize in 1972. In addition to poetry, Kathryn left a fine legacy of prose writings, much of it unpublished. A current project seeks to redress this by publishing some of her novellas, short stories and her singular novel.