Kathryn Purnell's narrative poem is filled with beautiful, evocative imagery. The reader is taken on a tour of discovery, a wonderful journey in the style of an epic as the ghost of Louis XIV of France, also known as the Sun King, reflects on his life and loves. Emotions spanning joy, anger and remorse are called up as Louis reminisces on many facets of his long life, his wives, mistresses, and children. He talks of the architects with whom he designed and built Versailles and the Orangerie he loved, the animals of his menagerie, the gardeners with whom he sparred, arguing his love for the beauty of flowers against their practical desire to grow more vegetables. Louis' ghost is critical, too, of the failure of great men of the 20^th century who negotiated bad treaties in his palace, while acknowledging modern technological developments allowing his music to be reproduced. The Orangerie was his sanctuary from the stresses of both state and family. This wonderful poem will have the reader seeking to know more of this flawed but remarkable man.

Kathryn Purnell was born in Vancouver, Canada in 1911. She travelled by sea to Australia with her family as a young woman. During the voyage she met and later married Australian scientist William (Bill) Purnell.Kathryn embodied the soul and spirit of a creative writer. She maintained an intense interest in everything around her, the natural and spiritual worlds, the everyday and the eternal, diverse countries and their cultures, as well as the human condition (of which she had an uncanny understanding). A gifted educator, she was an inspiration to many aspiring writers to whom she taught creative writing. She believed intensely in the need to encourage women writers, the constraints on whom she felt herself at a very personal level.Bill Purnell's work in the early years of UNESCO as head of its Science Cooperation Division took Kathryn to Paris to live in the immediate post war years, then to Cairo and later Jakarta. She travelled widely in Europe and later spent time in South Africa. Her husband's ill health compelled the family to return permanently to Australia in the late nineteen fifties. It was particularly in this period of her life, with the common pressures of maintaining a family, supporting a husband in his professional life and finding time to create, that she felt most strongly the constraints and limitations placed on the female creative spirit by the societal practices and beliefs of the time.But create she did, both poetry and prose work. She also spent much of her time teaching aspiring writers, mostly women. Active in the Society of Women Writers, in 1998 she won The Alice Award, a biennial award for long-term and distinguished contribution to literature by an Australian woman. Other awards included the State of Victoria Short Story Award and the Moomba Short Story Prize both in 1966/67 and The Society of Women Writers Poetry Prize in 1972. In addition to poetry, Kathryn left a fine legacy of prose writings, much of it unpublished. A current project seeks to redress this by publishing some of her novellas, short stories and her singular novel.