From the Bram Stoker Award-winning author of The Turtle Boy, Kin, and Sour Candy, comes a collection of eleven stories designed to shred your nerves.
You can tell yourself that sound you heard outside the house on Halloween night was nothing. You can pretend you didn't see that awful thing in the middle of the road while you were jogging. You can even ignore the old man sitting in the yard who claims he must keep watch on a door that nobody else can see. And you can act like you don't know what lurks in that long-forgotten pool hidden away behind your neighborhood.
But true horror cannot be ignored.
From the nightmare of addiction and the throes of grief-induced insanity, to an app designed to cure your phobias, and a musician who can cast you into hell by simply playing a song, herein you'll find a menagerie of malevolent tales to chill the blood and expose the kind of terrors that will strip away your comfort and drag their splintered nails along your NERVE ENDINGS.
Featuring an introduction and story notes by the author.
Autorentext
Born and raised in a small harbor town in the south of Ireland, Kealan Patrick Burke knew from a very early age that he was going to be a horror writer. The combination of an ancient locale, a horror-loving mother, and a family full of storytellers, made it inevitable that he would end up telling stories for a living. Since those formative years, he has written five novels, over a hundred short stories, six collections, and edited four acclaimed anthologies. In 2004, he was honored with the Bram Stoker Award for his novella The Turtle Boy.
Kealan has worked as a waiter, a drama teacher, a mapmaker, a security guard, an assembly-line worker at Apple Computers, a salesman (for a day), a bartender, landscape gardener, vocalist in a grunge band, curriculum content editor, fiction editor at Gothic.net, and, most recently, a fraud investigator.
When not writing, Kealan designs book covers through his company Elderlemon Design.
A movie based on his short story "Peekers" is currently in development as a major motion picture.