Probing spatial questions about God posed by Piers Plowman, the author of this interdisciplinary study turns to pictorial evidence-the use of religious space and relationships within such space in English art of the same period.

Contents: Introduction; Heaven and earth: Horizontal and vertical views; God's body; Within; God in the community; Imagining the place and presence of God; Appendix: Proper names of places in Piers Plowman:a tally; Bibliography; Index.