Since her untimely death in 1973, Ingeborg Bachmann has come to be regarded as one of the twentieth century's most important writers. Unpacking a single Bachmann poem, novelist Tom McCarthy latches onto two of its central terms - the eponymous threshold and ledger - and takes off on a line of flight: through the work of Franz Kafka, David Lynch, Anne Carson, Sappho and Shakespeare.Can writing be understood as an experience of the threshold, a limit- or boundary-state? A condition of ecstasy or ec-stasis, standing outside of oneself? With identity ruptured and surpassed, how - and by whom - might such experience be recorded? Appearing on the eve of Bachmann's centenary, McCarthy's book argues for the centrality of her vision to the very act of literature itself.

Tom McCarthy is a novelist whose work has been translated into more than twenty languages and adapted for cinema, theatre and radio. In 2013 he was awarded one of the inaugural Windham Campbell Prizes for fiction. His first novel, Remainder, won the 2007 Believer Book Award; his third, C, was a 2010 Booker Prize finalist, as was his fourth, Satin Island, in 2015. He is also author of the study Tintin and the Secret of Literature, and of the essay collection Typewriters, Bombs, Jellyfish. His latest novel, The Making of Incarnation, was published in 2021.McCarthy has held Visiting Professorships at the Royal College of Art in London, Columbia University in New York and Städelschule in Frankfurt. Since 2022 he has held the position of Miller Scholar at the Santa Fe Institute, New Mexico. In 2019 he guest-curated the exhibition 'Empty House of the Stare' at London's Whitechapel Gallery, and in 2022 a major exhibition, 'Holding Pattern', in Kunstnernes Hus, Oslo, responding to the art institute's invitation to explore the themes and motifs of his work. Born in Scotland, he is now a Swedish citizen, and lives in Berlin.