Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .
Autorentext
PAUL COATES Professor in Film Studies at the University of Western Ontario, Canada. He has taught at McGill and the University of Aberdeen. His publications include The Story of the Lost Reflection (1985), The Gorgon's Gaze (1991), Cinema, Religion and the Romantic Legacy (2003), The Red and the White: The Cinema of People's Poland (2005) and Cinema and Colour (2010).
Inhalt
Acknowledgements Introduction Faces and 'Faciality' The Fate of Contemplation: Closeness and Distance Masks and Metaphor: Doubles and Animals Invisibility, Medusa, and the Mask Dissonance and Synthesis: Persona, the Face, the Mask and the Thing Works Cited Index
Titel
Screening the Face
Autor
EAN
9781137012289
ISBN
978-1-137-01228-9
Format
E-Book (pdf)
Hersteller
Herausgeber
Veröffentlichung
11.05.2012
Digitaler Kopierschutz
Wasserzeichen
Dateigrösse
1.12 MB
Anzahl Seiten
195
Jahr
2012
Untertitel
Englisch
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