Autorentext
Paul J. Karlstrom, former West Coast Regional Director of the Smithsonian's Archives of American Art, is the editor of On the Edge of America: California Modernist Art, 1900-1950 (UC Press) and a co-editor of Asian American Art: A History, 1860-1970. He is coauthor of Turning the Tide: Early Los Angeles Modernists, 1920-1956 and author of Raimonds Staprans: Art of Tranquility and Turbulence.
Inhalt
Preface: Setting the Scene
1. Childhood: Munich, Art, and Hitler
2. New York: Stieglitz, Rheingold, and 57th Street
3. Chicago to Pomona: New Bauhaus and Early Career
4. Back to New York: Inside MoMA
5. MoMA Exhibitions: From New Images of Man to Alberto Giacometti
6. POP Goes the Art World: Departure from New York
7. Berkeley: Politics, Funk, Sex, and Finances
8. Students, Colleagues, and Controversy
9. A Career in Retirement: Returning to Early Themes and Passions
10. A Conclusion: Looking at Kentridge and Warhol
Notes
Selected Bibliography and Exhibition History
Acknowledgments
Index