A vivid and engaging exploration of California's debt to the ancient world Discussing the influence of the classics on America is nothing new; indeed, classical antiquity could be considered second only to Christianity as a force in modeling America's national identity. What has never been explored until now is how, from the beginning, Californians in particular chose to visually and culturally craft their new world using the rhetoric of classical antiquity. Through a lively exploration of material culture, literature, and architecture, American Arcadia offers a tour through California's development as a Mediterranean haven from the late nineteenth century to the present. In its earliest days, California was touted as the last opportunity for alienated Yankees to establish the refined gentleman-farmer culture envisioned by Jefferson and build new cities free of the filth and corruption of those they left back East. Through architecture and landscape design Californians fashioned an Arcadian setting evocative of ancient Greece and Rome.Later, as Arcadia gave way to urban sprawl, entire city plans were drafted to conjure classical antiquity, self-styled villas dotted the hills, and utopian communities began to shape the state's social atmosphere. Art historian Peter J. Holliday traces the classical influence primarily through the evidence of material culture, yet the book emphasizes the stories and people, famous and forgotten, behind the works, such as Florence Yoch, the renowned landscape designer and set designer for Gone with the Wind, and "Sister Aimee" Semple McPherson, the most publicized Christian evangelist of her day, whose sermons filled the Pantheon-like Angelus Temple. Telling stories from the creation of the famed aqueducts that turned the semi-arid landscape to a cornucopia of almonds, alfalfa, and oranges to the birth of the body-sculpting movement, American Arcadia offers readers a new way of seeing our past and ourselves.

Peter J. Holliday is Professor of the History of Art and Classical Archaeology, California State University, Long Beach. Trained as an historian of classical art and archaeology, Holliday has received awards for his research and writing from the American Academy in Rome, Andrew W. Mellon Foundation, J. Paul Getty Trust, Samuel H. Kress Foundation, and National Endowment for the Humanities.

Introduction 1. Out of the Wilderness, Arcadia 2. Promoting "Our Italy" 3. "Calitopia:" New Models for Cities 4. Private Citizens, Public Works 5. Utopian Communities 6. Spectacles en plein air 7. Houses and Gardens before World War II 8. The Southland House as a Set 9. A "Villa in a Garden" for the Masses 10. Palaces and Patrons in the 20th Century 11. Aphrodite, Atlas, and the California Body 12. Metaphors Misconstrued Bibliography Illustration Credis