This book is dedicated to my fans around the globe who've asked to see my music in writing for years.

I own all Publishing and (C)opyrights to all compositions in this book. My publishing company: ROBSTEW MUSIC - BMI (Broadcast Music Incorporated).

I've simply scanned my handwritten compositions so that you receive the authentic version of each piece. Some of the music is a bit faded, for they were written over 30 years ago. A few of the compositions were never recorded. However, the compositions in the first half of this book are available on my albums.

I THANK YOU for your support over the years, and it's been a tremendous honor to uphold the Jazz idiom (or Black Classical Music) for so many years.

Prof. Robert Stewart

Prof. Robert Stewart is a retired clandestine operative who was recruited, while a student at U.C. Berkeley, into a special program for humans with Paranormal gifts. His fields of expertise are child extraction from cults, world religions, science, and the Occult. Musician was his deep cover or camouflage life.

Prof. Robert Stewart is a multi-instrumentalist (saxophones, piano, flute, drum, vocals, etc.), composer, and producer. His two major label albums ("The Force" and "In the Gutta") were for Quincy Jones and Qwest/Warner Bros. records. He is known for his unique ? personal sound and remarkably inventive improvisations declares Los Angeles Times journalist Bill Kohlhaase, as the lead tenor saxophonist on the Pulitzer Prize winning "Blood on the Fields" by trumpeter Wynton Marsalis, and as the protegé of saxophonist Pharoah Sanders. Jazz critic Jason Ankeny declared Stewart to be one of the most impressive jazz saxophonists to emerge at the end of the 20th century. Drummer Billy Higgins refers to Stewart as "perhaps the most important young artist to come along in decades