"The concept of dilettantism has not always been associated with amateurism or superficiality. It played a significant role in French and German critical writing from the late eighteenth century until the fin de siecle, embracing notions such as apprenticeship, fruitful error, parody, aestheticism and scepticism. Attempts to define dilettantism in a binary relationship with art have often been defeated by a fundamental ambivalence towards its values. The major texts on the subject are Goethe and Schiller's unfinished 'dilettantism project' (1799) and Paul Bourget's essay on Ernest Renan (1882), although the term was also used by writers including Wieland, Baudelaire, Laforgue, Nietzsche, Hofmannsthal and Thomas Mann. In this wide-ranging study Richard Hibbitt provides the first book-length comparative analysis of the concept of dilettantism, tracing its chronological development and proposing a synthesis of its diverse aspects and values."

Richard Hibbitt

Introduction 1. The Etymology of the Term and its Initial Usage in German 2. The Dilettantism Project and the Question of Goethe's Dilettantism 3. Dilettantism between Weimar Classicism and the fin de siècle 4. The Dilettante as Sceptic: Paul Bourget's Initial Conception of Dilettantism 5. The Concept of Dilettantism in the 1880s 6. The Concept of Dilettantism in the 1890s 7. Conclusion