A statistician attempts to make sense of a world gone mad in an apocalyptic sci-fi scenario from the Hugo Award-winning author of Starship Troopers.
Multiple Hugo Award winner Robert Heinlein earned countless fans, accolades, and honors with groundbreaking novels such as Starship Troopers and Stranger in a Strange Land. But it was shorter works like his brilliant novella, The Year of the Jackpot, that solidified Heinlein's position among sci-fi's greatest.
Potiphar Breen puts his trust in numbers to make sense of the world. An unassuming, middle-aged bachelor, he has been carefully noting a rise in odd behaviors all around him in order to determine some pattern or meaning in these bizarre recent events. Then one day, he comes upon a beautiful young woman at a bus stop who is taking off all her clothes.
Meade Barstow has no idea what compelled her to disrobe in public, and she is grateful when Potiphar comes along to save her from herself. Needing some time and a place to recuperate, she
accompanies him home. Soon, a relationship develops that is warm, mutually supportive, and sane-in dramatic contrast to the growing madness of the world outside.
But "Potty's" house won't be a refuge forever. Because once Breen clearly identifies the cycle that humanity is undergoing, he and his newfound friend will have to run for their lives.
Originally published in the early 1950s, Heinlein's The Year of the Jackpot is a story of love, trust, and volatile human nature that still retains its wonder and unique philosophical edge.
Autorentext
Robert A. Heinlein (1907-1988) was the first great science fiction writer of the so-called "Modern" (post-Campbellian) period and still perhaps the best. His first story, "Life-Line" was published in the August 1939 issue of ASTOUNDING, within three years with novels and novelettes such as SIXTH COLUMN, BLOWUPS HAPPEN, UNIVERSE, THE ROADS MUST ROLL, METHUSALEH'S CHILDREN he had become the most dominant writer in the history of science fiction; this was a position he did not relinquish for the rest of his life nor has it yet been relinquished. A list of his novels is virtually a pocket history of science fiction--THE MOON IS A HARSH MISTRESS, STARSHIP TROOPERS, STRANGER IN A STRANGE LAND, DOUBLE STAR, I WILL FEAR NO EVIL--and all of them remain in print and controversial to this moment. He won the Hugo for Best Novel four times, was three time Guest of Honor at the World Science Fiction Convention and was the first Grand Master of the Science Fiction Writers of America. His history and that of modern science fiction cannot in any way be disentangled.
Zusammenfassung
This novelette appeared in the March 1952 issue of GALAXY and is the only work which Heinlein wrote specifically for Horace Gold, the editor of GALAXY magazine. (Heinlein's novel THE PUPPET MASTERS had been serialized in the September through November 1951 issues of GALAXY but Gold had merely acquired serial rights to a contract novel which had been written for Scribner's.) Heinlein never again appeared in Gold's GALAXY. This novelette, set in a near-future only subtly different from the McCarthyite and politically menacing present deals with social deterioration, cultural breakdown in a careful, documentary style which becomes terrifying. His romantically-linked leads are emotionally affecting but never sentimentalized, the background of chaos in which they enact their tragic, drowning love, is sparingly but furiously painted. Heinlein's 1952 is clearly the apotheosis of those "Crazy Years" which he had noted in his famous chronological Future History, published a decade earlier in ASTOUNDING SCIENCE FICTION as a precis of his intended career. Perhaps no story of this period limns its political and cultural dysfunction as accurately as this novelette. Overshadowed by Heinlein's juveniles and his famous later novels, THE YEAR OF THE JACKPOT may be the purest version of his portfolio and his most memorable work of less than novel length. It is one of his most exemplary stories and perhaps his best.