McChesney's award-winning Rich Media, Poor Democracy skewered the assumption that a society drenched in commercial information is a democratic one. In Digital Disconnect McChesney returns to this provocative thesis in light of the advances of the digital age, incorporating capitalism into the heart of his analysis. He argues that the sharp decline in the enforcement of antitrust violations, the increase in patents on digital technology and proprietary systems, and other policies and massive indirect subsidies have made the Internet a place of numbing commercialism. A small handful of monopolies now dominate the political economy, from Google, which garners an astonishing 97 percent share of the mobile search market, to Microsoft, whose operating system is used by over 90 percent of the world's computers. This capitalistic colonization of the Internet has spurred the collapse of credible journalism, and made the Internet an unparalleled apparatus for government and corporate surveillance, and a disturbingly anti-democratic force.
In Digital Disconnect Robert McChesney offers a groundbreaking analysis and critique of the Internet, urging us to reclaim the democratizing potential of the digital revolution while we still can.
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Robert W. McChesney (1952?2025) was the Gutgsell Endowed Professor in the Department of Communication at the University of Illinois at Urbana-Champaign and the author of some two dozen books on media and political economy, including Digital Disconnect, Communication Revolution, and the award-winning Rich Media, Poor Democracy; a co-author, with John Nichols, of Tragedy and Farce; and a co-editor, with Ben Scott, of Our Unfree Press, and, with Victor Pickard, of Will the Last Reporter Please Turn Out the Lights (all published by The New Press). McChesney and Nichols are also the co-authors of the award-winning Dollarocracy: How the Money and Media Election Complex Is Destroying America. McChesney's work has been translated into thirty-one languages.