Ogden sets out a movement in contemporary psychoanalysis toward a new sensibility, reflecting a shift in emphasis from what he calls "epistemological psychoanalysis" (having to do with knowing and understanding) to "ontological psychoanalysis" (having to do with being and becoming).
Ogden clinically illustrates his way of dreaming the analytic session and of inventing psychoanalysis with each patient. Using the works of Winnicott and Bion, he finds a turn in the analytic conception of mind from conceiving of it as a thing-a "mental apparatus"-to viewing mind as a living process located in the very act of experiencing. Ogden closes the volume with discussions of being and becoming that occur in reading the poetry of Robert Frost and Emily Dickinson, and in the practice of analytic writing.
This book will be of great interest not only to psychoanalysts and psychotherapists interested in the shift in analytic theory and practice Ogden describes, but also to those interested in ideas concerning the way the mind and human experiencing are created.
Autorentext
Thomas H. Ogden, MD, is the author of 12 books of essays on the theory and practice of psychoanalysis, most recently Reclaiming Unlived Life; Creative Readings: Essays on Seminal Analytic Works; and Rediscovering Psychoanalysis. He was awarded the 2012 Sigourney Award for his contribution to psychoanalysis.
Inhalt
Acknowledgments
Preface
Introduction: Notes on Being and Becoming
Chapter 1: Ontological Psychoanalysis or "What Do You Want to Be When You Grow Up?"
Chapter 2: The Feeling of Real: On Winnicott's "Communicating and Not Communicating Leading to a Study of Certain Opposites"
Chapter 3: How I Talk with My Patients
Chapter 4: Destruction Reconceived: On Winnicott's "The Use of an Object and Relating Through Identifications"
Chapter 5: Dreaming the Analytic Session: A Clinical Essay
Chapter 6: Toward a Revised Form of Analytic Thinking and Practice: The Evolution of Analytic Theory of Mind
Chapter 7: On Language and Truth in Psychoanalysis
Chapter 8: Experiencing the Poetry of Robert Frost and Emily Dickinson
Chapter 9: Analytic Writing as a Form of Fiction