Clay Work and Body Image in Art Therapy provides an important addition to resources available in the field of clay work and art therapy, highlighting the unique sensory aspects of the medium and its ability to provide a therapeutic resource for women who experience body image issues.
Chapters offer a comprehensive distillation of current knowledge in the field of body image, clay work, neuroscience, and art therapy, building a theoretical framework around personal narratives. Case studies examine the benefits of exploring body image through clay work within art therapy practice, providing a positive and contained way to find personal acceptance and featuring photographs of clay body image sculptures created by research participants that highlight their individual stories and experiences. As well as offering both clinical and practical implications, the text provides a full protocol for the research and evaluation methods carried out, enabling further replication of the intervention and research methods by other therapists.
This book highlights clay work as a significant resource for art therapists, arts in health practitioners, and counsellors, providing an emotive yet contained approach to the development of personal body image acceptance and self-compassion.
Autorentext
Trisha Crocker, PhD, is an art therapist working with at-risk children and women in private practice. She runs workshops in clay-making and body image from her pottery in Oxfordshire, England.
Susan M.D. Carr, PhD, is an artist, author, and art therapist in private practice, and currently co-Editor-in-Chief of the International Journal of Art Therapy. She has also developed and researched Portrait Therapy.
Klappentext
Clay Work and Body Image in Art Therapy provides an important addition to resources available in the field of clay work and art therapy, highlighting the unique sensory aspects of the medium and its ability to provide a therapeutic resource for women who experience body image issues.
Chapters offer a comprehensive distillation of current knowledge in the field of body image, clay work, neuroscience, and art therapy, building a theoretical framework around personal narratives. Case studies examine the benefits of exploring body image through clay work within art therapy practice, providing a positive and contained way to find personal acceptance and featuring photographs of clay body image sculptures created by research participants that highlight their individual stories and experiences. As well as offering both clinical and practical implications, the text provides a full protocol for the research and evaluation methods carried out, enabling further replication of the intervention and research methods by other therapists.
This book highlights clay work as a significant resource for art therapists, arts in health practitioners, and counsellors, providing an emotive yet contained approach to the development of personal body image acceptance and self-compassion.
Inhalt
List of Figures
Acknowledgements
Section One: Preparing the Ground - Digging for Clay
Chapter 1. Introduction & Context: Body Image, Art Therapy & Clay Work
Chapter 2. The Distorted Mirror: Body Image, The Critical Mother & Shame
Chapter 3. Making Connections: Metaphor, Evolution & Neuroscience
Section Two: Vignettes & Case Studies - Shaping the Self
Chapter 4: Case Vignettes - Study One, Sessions One, Two, Three & Four
Chapter 5: Case Studies, Study Two: Metaphor, Symbolism & Body Image
Chapter 6: Case Studies, Study Two: Mother's and Other's Influence on Body Image
Chapter 7: Case Studies, Study Two: Clay Work as Meaningful Play
Section Three: Protocol, Evaluation Methods & Conclusions - Opening the Kiln
Chapter 8. Intervention Protocol
Chapter 9. Methods of Analysis
Chapter 10. Adding the Glaze: Finding Meaning and Healing through Metaphor & Symbolism
Bibliography
Index