15th-century satire?

Or today's Inquisition 2.0?

When master manuscript illustrator Antonio Strozzi discovers a blasphemous typo in a Gutenberg Bible, it ignites chaos in 15th-century Florence. He and his assigned guard, Gabriele, are swept into a world where faith, power, and forbidden desires collide.

Amid schemes, swordplay, and ecclesiastical intrigue, this satirical adventure revels in irreverence and wit. "The Typo: In the Name of God" is a hilarious, poignant tale of error, resistance, and the enduring human need for love, laughter, and a little heresy.

As the printing press threatens to erase centuries-old creative professions, Antonio's journey mirrors today's anxieties over AI and creative automation. The Inquisition's shadow looms, echoing the rise of religious extremism and political theocracy in our own time.

History may not repeat, but it sure does rhyme.

William Lower's writing career began in advertising rising to Executive Creative Director positions, notably, hired by James Patterson at J. Walter Thompson, New York. He excelled, winning multiple national and international awards, including Cannes. His portfolio includes columns and articles (humorous and social commentary), and multiple film and video productions. His first novel was a romance, "The Lady with the Monkey,"; a spiritual journey of self-discovery and self-salvation. For a whimsical book, he created fictional horoscopes of the famous on their last day among the living in "Dead Day Horoscopes," illustrated by award-winning Lörincz Attila currently being prepared for digital release. Presently, His new book, a historical fiction novel, "The Telling Tale of Antonio Tortellini" where we follow the adventure of the man who found the world's first typo and his journey to have it corrected. This 15th century satire bares an uncanny resemblance to our world today. His social commentary, nonfiction work, "My Conversations With God AI" is required reading for surviving in today's AI world.