The hunt begins. Quee-Keg leads the speeder-hooks in pursuit of a Molok, but the kill is lost when a Kobalt, the eco galaxy terrorists, fleet ambushes the crew ? leaving wreckage, betrayal, and Akhaab's wrath in their wake. Docking at the forest-world Orobos, Ishmaeel's drunken misstep delivers him into the hands of the fanatical priests of Dakon ? zealots who demand blood sacrifice to feed their abyssal god. To save him, Quee-Keg and Rolloh must descend into a nightmare of smoke, stone, and tentacles, where faith is madness and monsters are very real. Friendship, fury, and survival collide in the shadow of a living god.

Andrea Mutti began his career illustrating the superheroes comic 'DNAction' for Xenia Edizioni. He then illustrated horror comics for Fenix. He moved over to Star Comics, where he drew stories with 'Lazarus Ledd' and some episodes of 'Hammer'. Since then he's worked with DC/Vertigo, Marvel, Mad Cave Studios, and IDW.

Valerio Alloro is an Italian colorist and illustrator. He has worked with Dark Horse Comics on titles such as Ham-Let, Hotel Rem, Top Secret Service, and Small Town Spirits. For the same publisher, in collaboration with Fantasy Flight Games, he provided the colors for Arkham Horror: The Terror at the End of Time (issues 1-4). He later joined the team at Storm King Comics, contributing to works including Civilians, Tales of Science Fiction Vol. 9, Long Haul, and Dead Flowers. He also worked on the final graphic novel of the animated series Final Space, created by Olan Rogers, and contributed as colorist to Star Wars: Hyperspace Stories (#7 and Vol. 2: Scum and Villainy).