The six stories in Outside show Barry Lopez's majestic talent as a fiction writer. Lopez writes in spare prose, but his narratives resonate with an uncanny power. With a reverence for our exterior and interior landscapes, these stories offer profound insight into the relationships between humans and animals, creativity and beauty, and ultimately, life and death.

In "Desert Notes,” the narrator says, "All my life I have wanted to trick blood from a rock.” The story proceeds to instruct the visitor on how to experience the desert but continues like no ordinary field guide. At stake here is what is at the furthest edge of our grasp. "You will think you have hold of the idea when you have only the hold of its clothing.” Rattlesnakes, the shell of a beetle, a few twigs, silence--out of these spare elements Lopez conjures a realm that shimmers with an elusive but palpable presence.

"The Search for the Heron” and "Within Birds' Hearing” present encounters with animals that are imbued with spiritual--and often inexplicable--exchanges. In solitary, almost visionary episodes, the narrators pass into permeable realms of nature, recalling a time when humans and animals spoke the same language. Lopez's gift is to imagine a reality where humans can be so embedded in the natural world that the boundaries between inner and outer fall away.

Again and again, whether describing a Navajo rug possessing the essence of its maker, or a boy who can change places with his half-coyote dog (named Leaves), or a teacher whose presence brings into question the meaning of friendship, Lopez portrays elemental and sacred places. His prose transcends its simplicity to enter spaces of wonder and mystery.

As James Perrin Warren says in his compelling introduction, "Lopez's narrators bear witness to extraordinary patterns and purposes . . . The storyteller is vital to the community and to a healthy landscape, but the vital relationship is also reciprocal. . . . We participate, along with Lopez, in the long history of storytelling. We become part of the atmosphere in which wisdom shows itself.”

Barry Moser's eleven otherworldly, densely layered engravings accompany the text. Each provides a meditative experience that parallels Lopez's complex sense of our relationship to nature. An afterword by Lopze closes this dramatically original collaboration.

Outside brings together Barry Lopez, best known for his National Book Award-winning Arctic Dreams; Barry Moser, the publisher of Pennyroyal Press, whose reputation as a book artist, printmaker, designer, and artist is legendary; and the widely published James Perrin Warren, a professor of English at Washington and Lee University, to offer an abundance of riches for readers and lovers of fine books.

Barry Moser is an illustrator, printer, painter, printmaker, designer, author, essayist, and teacher. He was born in Chattanooga, Tennessee in 1940. He was educated at a military academy there, the Baylor School, then at Auburn University and the University of Tennessee at Chattanooga. He did graduate work at the University of Massachusetts at Amherst in 1970. He studied with George Cress, Leonard Baskin, Fred Becker, and Jack Coughlin. His work is represented in numerous collections, museums, and libraries in the United States and abroad, including the National Gallery of Art, the Metropolitan Museum, the British Museum, the Library of Congress, the National Library of Australia, the London College of Printing, the Pierpont Morgan Library, the Vatican Library, Harvard University, Yale University, Dartmouth College, Cambridge University, the Israel Museum, and Princeton University. The books Moser has illustrated and/or designed form a list of over 300 titles including Arion Press' Moby-Dick and the University of California Press' The Divine Comedy of Dante, and Lewis Carroll's Alice's Adventures in Wonderland.

The six stories in Outside show Barry Lopez's majestic talent as a fiction writer. Lopez writes in spare prose, but his narratives resonate with an uncanny power. With a reverence for our exterior and interior landscapes, these stories offer profound insight into the relationships between humans and animals, creativity and beauty, and ultimately, life and death.

In "Desert Notes,? the narrator says, "All my life I have wanted to trick blood from a rock.? The story proceeds to instruct the visitor on how to experience the desert but continues like no ordinary field guide. At stake here is what is at the furthest edge of our grasp. "You will think you have hold of the idea when you have only the hold of its clothing.? Rattlesnakes, the shell of a beetle, a few twigs, silence--out of these spare elements Lopez conjures a realm that shimmers with an elusive but palpable presence.

"The Search for the Heron? and "Within Birds' Hearing? present encounters with animals that are imbued with spiritual--and often inexplicable--exchanges. In solitary, almost visionary episodes, the narrators pass into permeable realms of nature, recalling a time when humans and animals spoke the same language. Lopez's gift is to imagine a reality where humans can be so embedded in the natural world that the boundaries between inner and outer fall away.

Again and again, whether describing a Navajo rug possessing the essence of its maker, or a boy who can change places with his half-coyote dog (named Leaves), or a teacher whose presence brings into question the meaning of friendship, Lopez portrays elemental and sacred places. His prose transcends its simplicity to enter spaces of wonder and mystery.

As James Perrin Warren says in his compelling introduction, "Lopez's narrators bear witness to extraordinary patterns and purposes . . . The storyteller is vital to the community and to a healthy landscape, but the vital relationship is also reciprocal. . . . We participate, along with Lopez, in the long history of storytelling. We become part of the atmosphere in which wisdom shows itself.?

Barry Moser's eleven otherworldly, densely layered engravings accompany the text. Each provides a meditative experience that parallels Lopez's complex sense of our relationship to nature. An afterword by Lopze closes this dramatically original collaboration.

Outside brings together Barry Lopez, best known for his National Book Award-winning Arctic Dreams; Barry Moser, the publisher of Pennyroyal Press, whose reputation as a book artist, printmaker, designer, and artist is legendary; and the widely published James Perrin Warren, a professor of English at Washington and Lee University, to offer an abundance of riches for readers and lovers of fine books.

"The Search for the Heron" (one of six stories in Outside

I see you on the far side of the river, standing at the edge of familiar shadows, before a terrified chorus of young alders on the bank. I do not think you know it is raining. You are oblivious to the thuck of drops rolling off the rube of your neck and the slope of your back. (Above, in the sweepy cedars, drops pool at the tips of leather needles, break away, are sheered by the breeze and, thuck, hit the hollow-boned, crimson-colored shoulders of the bird and fall swooning into the river.)

Perhaps you know it is raining. The intensity of your stare is then not oblivion, only an effort to spot between the rain splashes in the river (past your feet, so well-known, there beneath the hammered surface, like twigs in the pebbles) the movement of a trout.

I know: your way is to be inscrutable. When pressed you leave. This is no more unexpected or mysterious than that you give birth to shadows. Or silence. I watch from a distance. With respect. I think of standing b…