A series of provocative essays on how the fantastic genres evolve and grow
In this wide-ranging series of essays, an award-winning science fiction critic explores how the related genres of science fiction, fantasy, and horror evolve, merge, and finally "evaporate" into new and more dynamic forms. Beginning with a discussion of how literary readers "unlearned" how to read the fantastic during the heyday of realistic fiction, Gary K. Wolfe goes on to show how the fantastic reasserted itself in popular genre literature, and how these genres themselves grew increasingly unstable in terms of both narrative form and the worlds they portray. More detailed discussions of how specific contemporary writers have promoted this evolution are followed by a final essay examining how the competing discourses have led toward an emerging synthesis of critical approaches and vocabularies. The essays cover a vast range of authors and texts, and include substantial discussions of very current fiction published within the last few years.
Autorentext
GARY K. WOLFE is a professor of humanities and English at Roosevelt University. He is the author of several books, most recently Soundings: Reviews 1992-1996 (2005), as well as hundreds of essays and reviews. In addition to his scholarly work, he is contributing editor and lead reviewer for Locus magazine.
Zusammenfassung
A series of provocative essays on how the fantastic genres evolve and growIn this wide-ranging series of essays, an award-winning science fiction critic explores how the related genres of science fiction, fantasy, and horror evolve, merge, and finally "e;evaporate"e; into new and more dynamic forms. Beginning with a discussion of how literary readers "e;unlearned"e; how to read the fantastic during the heyday of realistic fiction, Gary K. Wolfe goes on to show how the fantastic reasserted itself in popular genre literature, and how these genres themselves grew increasingly unstable in terms of both narrative form and the worlds they portray. More detailed discussions of how specific contemporary writers have promoted this evolution are followed by a final essay examining how the competing discourses have led toward an emerging synthesis of critical approaches and vocabularies. The essays cover a vast range of authors and texts, and include substantial discussions of very current fiction published within the last few years.
Inhalt
Preface
Acknowledgments
GENRES
Malebolge, or the Ordnance of Genre
Evaporating Genres
Tales of Stasis and Chaos
The Encounter with Fantasy
The Artifact as Icon in Science Fiction
The Remaking of Zero
Frontiers in Space
WRITERS
The Lives of Fantasists
Peter Straub and the New Horror (with Amelia Beamer)
Twenty-First-Century Stories (with Amelia Beamer)
CRITICS AND CRITICISM
Pilgrims of the Fall
Notes
Works Cited
Index