WHAT IS ?NORMAL??

WHAT IS ?RIGHT??

AND WHO GETS TO DECIDE?

To be a content moderator is to see humanity at its worst?but Kayleigh needs money. So she takes a job working for a social media platform whose name she isn't allowed to mention. Her task: review offensive videos and pictures, rants and conspiracy theories, and decide which need to be removed. It's grueling work. Kayleigh and her colleagues spend all day watching horrors and hate on their screens, evaluating them with the platform's ever-changing moderating guidelines. Yet Kayleigh is good at her job, and she finds in her colleagues a group of friends?even a new girlfriend?and for the first time in her life, her future seems bright.

But soon the job seems to change them all, shifting their worlds in alarming ways. How long before the moderators' own senses of right and wrong begin to bend and flex?

From one of the most acclaimed Dutch writers of her generation, We Had to Remove This Post is a chilling, powerful, and urgent literary masterpiece about who or what determines our worldview, who sets the boundaries, and just how much a person can be asked to accept.

HANNA BERVOETS is the author of seven novels in her home country of the Netherlands, and she has also written screenplays, plays, short stories, and essays. She is the recipient of the prestigious Frans Kellendonk Prize for her entire body of works. She was a resident at Art Omi: Writers at Ledig House, New York, and her fiction has been translated into German, French, and Turkish. She works and lives in Amsterdam with her girlfriend and two guinea pigs. We Had to Remove This Post is her first book to be translated into English.

For readers of Leila Slimani's The Perfect Nanny or Ling Ma's Severance: a tight, propulsive, chilling novel by a rising international star about a group of young colleagues working as social media content monitors-reviewers of violent or illegal videos for an unnamed megacorporation-who convince themselves they're in control . . . until the violence strikes closer to home. Kayleigh needs money. That's why she takes a job as a content moderator for a social media platform whose name she isn't allowed to mention. Her job: reviewing offensive videos and pictures, rants and conspiracy theories, and deciding which need to be removed. It's grueling work. Kayleigh and her colleagues spend all day watching horrors and hate on their screens, evaluating them with the platform's ever-changing terms of service while a supervisor sits behind them, timing and scoring their assessments. Yet Kayleigh finds a group of friends, even a new love-and, somehow, the job starts to feel okay. But when her colleagues begin to break down; when Sigrid, her new girlfriend, grows increasingly distant and fragile; when her friends start espousing the very conspiracy theories they're meant to be evaluating; Kayleigh begins to wonder if the job may be too much for them. She's still totally fine, though-or is she?