War has come to England, and the Furys soldier on
Desmond Fury calls himself a working man, but it has been years since he put in a full shift. A brutally arrogant union leader, he longs to escape the working class and sees World War II as his ticket to better things. He is at a banquet for war recruiters, savoring the atmosphere of refinement, when a call comes from the hospital that drags him right back into the mud.
His mother, the indomitable Mrs. Fury, has collapsed. After years of holding the family together-and making life hell for everyone in it-she lies in the hospital, near death. But Mrs. Fury is not finished yet. As Desmond fights for respectability and her other children wage battles of their own, Mrs. Fury will do what she can to keep her family intact-even if it kills her.
Our Time Is Gone is the third book of James Hanley's acclaimed Furys Saga.
Autorentext
James Hanley (1897-1985) was born in Liverpool, England, to an Irish Catholic family.He spent time in the merchant navy and served with the Canadian Infantry during World War I. From 1930 to 1981 Hanley published forty-eight books, including the novels Boy, The Furys, The Ocean, Another World, and Hollow Sea. He penned plays for radio, television, and theater and published a work of nonfiction, Grey Children, on the plight of coal miners. Hanley died in London but was buried in Wales, the setting for many of his works.
Zusammenfassung
An intimate depiction of the visionary who revolutionized the art world A man who created portraits of the rich and powerful, Andy Warhol was one of the most incendiary figures in American culture, a celebrity whose star shone as brightly as those of the Marilyns and Jackies whose likenesses brought him renown. Images of his silvery wig and glasses are as famous as his renderings of soup cans and Brillo boxescontroversial works that elevated commerce to high art. Warhol was an enigma: a partygoer who lived with his mother, an inarticulate man who was a great aphorist, an artist whose body of work sizzles with sexuality but who considered his own body to be a source of shame. In critic and poet Wayne Koestenbaum's dazzling look at Warhol's life, the author inspects the roots of Warhol's aesthetic vision, including the pain that informs his greatness, and reveals the hidden sublimity of Warhol's provocative films. By looking at many facets of the artist's oeuvrefilms, paintings, books, HappeningsKoestenbaum delivers a thought-provoking picture of pop art's greatest icon.