A study of the Saudi Arabian monarchy's efforts to construct and disseminate a historical narrative to legitimize its rule.
The production of history is premised on the selective erasure of certain pasts and the artifacts that stand witness to them. From the elision of archival documents to the demolition of sacred and secular spaces, each act of destruction is also an act of state building. Following the 1991 Gulf War, political elites in Saudi Arabia pursued these dual projects of historical commemoration and state formation with greater fervor to enforce their postwar vision for state, nation, and economy. Seeing Islamist movements as the leading threat to state power, they sought to de-center religion from educational, cultural, and spatial policies.
With this book, Rosie Bsheer explores the increasing secularization of the postwar Saudi state and how it manifested in assembling a national archive and reordering urban space in Riyadh and Mecca. The elites' project was rife with ironies: in Riyadh, they employed world-renowned experts to fashion an imagined history, while at the same time in Mecca they were overseeing the obliteration of a thousand-year-old topography and its replacement with commercial megaprojects. Archive Wars shows how the Saudi state's response to the challenges of the Gulf War served to historicize a national space, territorialize a national history, and ultimately refract both through new modes of capital accumulation.
Praise for Archive Wars
"An instant classic. With incredible insight, creativity, and courage, Rosie Bsheer peels away the political and institutional barriers that have so long mystified others seeking to understand Saudi Arabia. Bsheer tells us remarkable new things about the exercise and meaning of power in today's Saudi Arabia." -Toby Jones, Rutgers University, author of Desert Kingdom: How Oil and Water Forged Modern Saudi Arabia
"There are now two distinct eras in the writing of Saudi Arabian history: before Rosie Bsheer's Archive Wars and after." -Robert Vitalis, University of Pennsylvania, author of Oilcraft
" Archive Wars explores with conceptual brilliance and historical aplomb the various forms of historical erasure central not just to the Kingdom of Saudi Arabia but to all modern states. In a finely-grained analysis, Rosie Bsheer rethinks the significance of archives, historicism, capital accumulation, and the remaking of the built environment. A must-read for all historians concerned with the materiality of modern state formation." -Omnia El Shakry, University of California, Davis, author of The Great Social Laboratory: Subjects of Knowledge in Colonial and Postcolonial Egypt
Autorentext
Rosie Bsheer is Assistant Professor of History at Harvard University.
Klappentext
The production of history is premised on the selective erasure of certain pasts and the artifacts that stand witness to them. From the elision of archival documents to the demolition of sacred and secular spaces, each act of destruction is also an act of state building. Following the 1991 Gulf War, political elites in Saudi Arabia pursued these dual projects of historical commemoration and state formation with greater fervor to enforce their postwar vision for state, nation, and economy. Seeing Islamist movements as the leading threat to state power, they sought to de-center religion from educational, cultural, and spatial policies.
With this book, Rosie Bsheer explores the increasing secularization of the postwar Saudi state and how it manifested in assembling a national archive and reordering urban space in Riyadh and Mecca. The elites' project was rife with ironies: in Riyadh, they employed world-renowned experts to fashion an imagined history, while at the same time in Mecca they were overseeing the obliteration of a thousand-year-old topography and its replacement with commercial megaprojects. Archive Wars shows how the Saudi state's response to the challenges of the Gulf War served to historicize a national space, territorialize a national history, and ultimately refract both through new modes of capital accumulation.
Inhalt
In the aftermath of the 1991 Gulf War, ruling elites in Saudi Arabia adopted measures that aimed to reconfigure state power by pacifying wartime popular opposition, reshaping the politics of subject formation, and diversifying the petroleum economy. The ensuing struggle over state form-what I call archive wars-revolved around the production of history, the reordering of space, and the repurposing of valuable real estate. Historicizing these practices helps us rethink the nature of modern archival formation as well as statecraft while calling into question scholarly assumptions about the cohesiveness of authoritarian states, and of states in general. Approaching the domains of history making and urban planning as mutually constitutive, contested, and ongoing material practices of state formation complicates conventional understandings of the nature of state power and its imbrication with archive formation.
This chapter takes up one strand of sociopolitical and cultural life in late Ottoman Mecca: the school of Indian religious scholar Muhammad Rahmatullah al-Kairanawi and its relation to the emergence of an intellectually engaged Hijazi middle class during the nahda. The chapter then attends to how the Saudi state occluded and repackaged this history since 1932. Beyond the symbolic power it bestowed upon its rulers, Mecca was a space where intellectual debate flourished, honing the minds of thinkers who became central figures in twentieth-century politics and religion. Yet Mecca's past is absent from histories of the Hijaz and of Saudi Arabia and from histories of intellectual thought, cultural production, and political activism in the late Ottoman period. Unearthing these transregional histories is urgent because the Saudi state has been destroying the city's built environment in lockstep with the logic of historical erasure and state formation.
In 1966, at the height of the struggle between reactionary and progressive forces that pitted Al Saud against Gamal Abdel Nasser and progressive forces inside Saudi Arabia, King Faisal passed the country's first archiving law. The aim was to choreograph a sanitized version of history and to reify elites' political, territorial, economic, and cultural claims. This chapter connects the beginning of archival praxis in Cold War Arabia to the necessity of managing elite power rivalries and fending off threats from regional rivals and domestic political movements. These anxieties shaped archival praxis and subsequently institutionalized a culture of secrecy and rivalry across the bureaucracy, with the push and pull of the archival operation mirroring the rivalries endemic to the Saudi state. Tracing the battles to produce an archive from the mid-1960s until the late 1980s shows how Saudi Arabia complicates conventional thinking about archives and about the authoritarian state itself.
In the 1990s, Saudi Arabia's top rulers sought to shift the grounds for political legitimation, subject formation, and economic diversification to maintain power following the Gulf War. This required the production of primary source materials for a revised, secular official history, the repositories that would house them, and the spaces that would monumentalize such a discourse. The Darah, along with the Ariyyadh Development Authority, assembled the past and its spaces in Riyadh. With the backing of Salman, who was Riyadh's …