* An Oprah Daily Book of 2022 *
A blazing new story collection that will make you feel like the house is collapsing in on you, from the three-time International Booker Prize finalist, 'lead[ing] a vanguard of Latin American writers forging their own 21st-century canon.' -O, the Oprah magazine
The world of Samanta Schweblin's short stories is dark and destabilising. Here, home is not a place of safety but the site of hidden danger, silent menace, unspoken resentment. Picture-perfect doors and spotless windows conceal lives in disarray, slowly unraveling in the face of obsession and fear, jealousy and desire.
Unsettling, exhilarating and fiercely original, these prizewinning stories expose raw and uncomfortable truths about the people and places we think will keep us safe, and ask what happens when that promise proves empty.
'Darker and more tinged with terror than her breakthrough novel, Fever Dream, this is Schweblin at her sharpest and most ferocious.' New York Times Book Review
Autorentext
Samanta Schweblin is the author of three story collections that have won numerous awards, including the prestigious Juan Rulfo Story Prize, and been translated into twenty languages. Her debut novel Fever Dream was shortlisted for the Man Booker International Prize 2017. Originally from Buenos Aires, she lives in Berlin.
Megan McDowell has translated books by many contemporary South American and Spanish authors, and her translations have been published in The New Yorker, Harper's and The Paris Review. She lives in Chile.
Klappentext
From the Man Booker-shortlisted author of Fever Dream comes a hotly anticipated new collection of eerie short stories. Playful and unsettling, teeming with the energy of barely contained violence, Seven Empty Houses dismantles the neat appearance of domesticity to expose the darkness and discomfort that lies beneath.
A neighbour looks on as a couple grieve the loss of their son. A young girl makes an unwelcome acquaintance in a hospital waiting room. A woman prepares for death with ruthless precision. Ominous and exhilarating, reminiscent of the best of Shirley Jackson, these chilling tales cement Samanta Schweblin's place among the finest short-story writers at work today.